

These are a few advertisements that i liked and thought would be good to refer to. I will use these as my examples and references when creating my own advertisement. I will take aspects from all of these different adverts and more.
Train station:
This high angle shot of Samuel Lapp, one of the main characters, demonstrates how insignificant he is within the station. The shot also shows the audience how lonely it can be in the station,within the world because you are so small in comparison. The shot is also a mixture of an over the shoulder shot and POV shot, it is as if the statue is watching over Samuel; the low lighting adds a dark,lonesome and miserable feeling to the shot.This all contributes to the thriller genre.
During the murder scene there are a lot of close ups to capture the emotions in the scene and to capture focus points, for example, the knife cutting the officers throat. These shots are used to show the viewers whats going on and give them clues about whats about to happen.
When Mcfee ( Danny Glover) starts to open the cubicle doors, it creates a huge amount of tension and anticipation, it makes the viewers scared for Samuel. This is used to grab the audience from their seats. As Mcfee leaves, the camera is on Samuel and the audience rely on his reaction and Mcfee's footsteps to tell if he is safe or not.
As John Book (Harrison Ford), his friend,Rachel and Samuel are in the car, there are a lot of indicators about the place that they are in. The streets are very low lit, dark, gloomy and dim which connote depression and corruption. The roads and paths are dirty and messy, the area looks like a slum and children are playing in it. This shows that the world is changing, it is becoming more corrupt and violent. There are sirens in the background signifying trouble and danger, making it seem a dangerous and violent place as well. It is as if the city represents corruption in the world and the Amish are the peaceful and innocent part. As the scene reaches its end, Book gos into a bar and grabs a man. John Book seems like a very aggressive and violent character, this is his flaw, later on in the film this is demonstrated again when he fights three townspeople when they were picking on the Amish. The flaw in a main character or hero is another signifier of a thriller.
In this film the representation of ideology is very common or cliche. This is because "good"(The Police) are helping to fight the "evil" but the "good" are the evil in the end. This happens more than you would expect in films but still catches out the audience. This is a common ideology in thrillers because it fools the audience into thinking what is wrong.
It is about five people who go into a lift, one by one they die in the lift because one of them is the devil. Each character has committed at least one sin and they are being punished for what they have done.
The main aspect of this film I wanted to look at was the way the lift is used. The lift is a perfect thriller location, it is extremely claustrophobic,can be crowded and cramped as well as the possibility of it breaking down. All of these things scare people and make them fear lifts in thriller films, that's what makes it so effective. But this lift is even worse because it becomes inhabited by the Devil.
A common theme in a Conspiracy thriller is that characters discovering a secretive conspiracy may be unable to tell what is true about the conspiracy, or even what is real. The protagonists of conspiracy thrillers are often journalists or amateur investigators who find themselves (often inadvertently) pulling on a small thread which unravels a vast conspiracy that ultimately goes "all the way to the top"
In which the main conflict is due to some sort of natural or artificial disaster, such as floods, earthquakes, hurricanes, volcanoes, etc., or nuclear disasters as an artificial disaster. Examples include Earthquake, The Day after Tomorrow, Knowing and Twister.
Director: Sergio Leone
This shot of the corrupt police is a long shot, it is used to capture all of the characters and what they are doing. This shot demonstrates their corruption as they are holding guns and forcing her to reveal information and then killing. It contributes to the idea of the portrayal of how sinister and corrupted America really is. Low key lighting is used as well as key lighting which captures the characters costumes and faces in the light, it instantly makes the viewer think corrupt police or mobsters when seeing the classic outfits. The use of close ups and mid shots is also repeatedly used throughout this scene this is because Sergio Leoni wants to capture their emotions, especially Eve's.
Then it cuts to the ballroom where the phone is still ringing and it gives a different effect to the part of the scene, it adds anticipation. The night of his friends death and the ballroom party is the end of the prohibition in America. Leoni makes a reference to history, making the day that Noodle's friends were killed and prohibition ended the 5th of December 1933. 
When Noodles enters the room in which his friend is held captive, a worm's eye shot is used to give Noodles status but also to show Noodles from his friends point of view thus positioning the audience with Noodles to engage them into the film. The shot is also slightly canted connoting that his friend is disorientated. The shot from Fat Moe's point of view also connects the audience with him and shows them what it was like for him in this point in time.
